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The
only thing on which advertising critics, reporters,
and analysts could agree on when it came to the advertising
of the 2006 National Football League's (misnamed) world
championship game, Super Bowl XL, was that no one could
agree. Instead of gathering around the water cooler
to recount favorite commercials and universally panned
spots, everyone seemed to have a different take on the
58 ads that ran nationally during the big game. "Who
won the Super Bowl's contest of ads depends on whom
you talk to," reported Advertising Age.
USAToday's famous Ad Meter named Bud Light's
"Secret Fridge" spot as the best; Adweek's
ad critic Barbara Lippert was partial to Burger King's
"Whopperettes," and Sprint's "Crime Deterrent"
and "Burning Couch" spots; a panel of graduate
MBA students and faculty at Northwestern University's
Kellogg School of Business picked Dove's "self-esteem"
spot; Ad Age's ad critic Bob Garfield seemed
particularly taken with Motorola's ad for Moto PEBL;
and members of international ad network ICOM selected
Fedex's "Stick" as the best of the bunch.
According to CBSnews.com's Blogophile, bloggers
also had very different opinions on what was good and
what was bad this year, though generally most were unimpressed.
While
there's no consensus on what made for advertising brilliance,
what made for disaster this year on advertising's "Night
of Nights," we thought we'd put forth one notion
that we think many, if not most, will agree: the majority
of Super Bowl advertisers and their agencies have suffered
a break from reality. Maybe it's because they got swept
up in the pre-game hype for the commercials that now
rivalswe'd venture to say even exceedsthe
pomp and circumstance for the football game itself.
Or perhaps the notion of a single TV program with an
audience of 90+ million pulled from a multitude of demographic,
sociographic, and psychographic groups is just so mind-blowing
it trumps rational thought. But whatever the reason,
it's clear that a sizable portion of the 40 or so Super
Bowl advertisers have taken leave of their senses.
Reality
Break #1
Just prior to the game, "the ad world's most experienced
and most Super Bowl-savvy advertising executives,"
went on record telling the USAToday that companies
SHOULD NOT spend $80 grand per second
to actually sell anything because, frankly, selling
something has become "almost taboo" during
the Super Bowl. "The game is great for bolstering
a brand's image," explained Nina DiSesa, chairman
and chief creative officer of McCann-Erickson, part
of the world's largest advertising agency network, "but
not to nail the sale."
Let's
suppose, just for the sake of argument, that spending
$2.5 million for 30-seconds on ONE night,
plus at least $300K on the execution and still more
on any additional "leveraging" activities
to promote the relationship to the Super Bowl prior
to the game, not to impart any sort of reason-to-buy
message, but to boost the image of the brand is a logical
business decision. How many ad spots actually made people
feel more positively about a brand? Objectively speaking,
the only two brands that definitively and actively promoted
any sort of message that would universally enhance the
brand image among the viewing audience were Dove with
its support for a self-esteem fund for girls and Westin
Hotels with its smoking ban at all of its properties
(unless you're a smoker, of course). The nostalgia of
the Walt Disney 50th Anniversary spot and Budweiser's
"Young Clydesdale" execution might have conjured
up warm feelings among some folks, and if you're environmentally
inclined, Ford's "green" hybrid Escape may
have changed the perception of the SUV brand as a gas-guzzling
contributor to global warming for the better. But that's
five out of 58, or barely 9%, of all the executions
at best.
Reality
Break #2
The rest of the commercials used humor or artistic imagery
to "bolster the brand image." "Humor
won the day in this year's Super Bowl," commented
the VP of consumer marketing at TiVo. Yet what constitutes
humor and artistic imagery differs from person to person.
We thought Bud Light's "Secret Fridge" spot,
for instance, was more of the men-are-generally-stupid
genre of advertising that has characterized Budweiser
advertising for years and contributed to the decline
in beer consumption in general. We didn't even crack
a smile when watching the spot. Meanwhile, the Boston
Globe's sports reporter Joanna Weiss clearly got
a chuckle out of it, describing the ad as "stupid-funny."
Likewise, we thought the spot for Motorola's Moto PEBL
was completely bizarre [we admit now that we know the
name of the product is pronounce "Pebble"
not "P-E-B-L" as we originally thought, the
black and white spot that depicts a meteor crash, an
ocean forming rocks, and a pair of feet walking over
to a case marked "PEBL" on a rocky beach is
a tad less of a mystery.] But then Ad Age's Bob
Garfield thought it was "really cool." While
about a third of men in a ComScore poll said GoDaddy's
spot, a "funny" play on network attempts to
censor its advertising "improved their feelings"
about the brand, about a third of women said the ad
"damaged their impression" of GoDaddy and
most critics sided with the ladies.
Did
GM really think car buyers would universally feel better
about GM and Hummer after watching a robot and Godzilla-like
creature mate and bear a child in the form of a Hummer?
Did Emerald Nuts presume snack food buyers would think
"hey, Emerald is a great brand" after watching
three strange men act out some sort of samurai ritual
while a Joe Pesci-like character in a Yoda costume talks
on a phone under the stairs and an anagram flashes on
the screen? Did Pepsi honestly believe that consumers
would think more highly of Sierra Mist as a beverage
brand after an airport guard threatens a rectal exam
to an airline passenger if he didn't fork over his beverage?
Did Ameriquest genuinely suppose that mortgage seekers
would feel better about it after watching two doctors
electrocute an insect over an unconscious patient? Did
Gillette consider the Area 51-esque setting for a "secret
experiment" where test tubes of an unidentified
blue and orange substance are combined in some sort
of particle accelerator with a gaggle of sinister quasi-governmental
and scientific officials looking on would make folks
think more highly of the new Fusion razor? In what reality
could these executions possibly be considered image-enhancing
and brand-bolstering?
Back
in the rational world, the purpose of advertising is
to sell. It's a marketing tool, not an entertainment
device. If, as we suspect, the main reason most of the
90.72 million viewers of this year's Super Bowl remember
any of the brands and/or commercials is because of all
the pre-promotion and media coverage of the advertising
and not the advertising itself, somebody needs to give
the advertisers of Super Bowl XL a good slap across
the face and tell them to snap out of it.
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