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The
Super Bowl may be the culmination of the American professional
football season, but for usparticularly since
our beloved Patriots were not in the National Football
League's annual grand finaleit's the advertising
we tune in to see.
Now
believe it or not, each year we gear up for big game
advertising with a completely open mind with no preconceived
notions about what we expect to see (or not see) from
the mix of the country's biggest advertisers, up-and-coming
firms looking to make a big impression in one fell swoop,
and midsize companies looking to increase name recognition
on the most watched TV program of the year. We purposely
forget about all the meaningless pap and gratuitous,
very often questionably funny creative from years prior,
and hope to be stunned, amazed, moved, and inspired
by ads that both entertain and sell us on why we should
care about and, better yet, buy a brand. But as the
last ad aired in the closing moment of the broadcast,
we hung our heads and once again thought, "better
luck next year."
You
know it's bad when the best an ad critic can muster
is, "at least this year I didn't feel like throwing
anything at my TV," as the creative editor at Adweek
Eleftheria Parpis wrote in a column summing up the low-
and even lower-lights of advertising's night of nights.
In our summation, the 60 national ads that ran during
Super Bowl XLI made at least three things abundantly
clear:
- We
are a violent people. "Violence," was
the one word Advertising Age's ad critic Bob
Garfield used to some up the Super Bowl ads. New
York Times advertising and media columnist Stuart
Elliot commented, "more than a dozen spots celebrated
violence in an exaggerated, cartoonlike vein that
was intended to be humorous, but often came across
as cruel or callous," and talked about the commercials'
"martial tone" in his post-game coverage.
And how did we allegedly war-weary Americans react?
Apparently, we ate it up.
The spot for Bud Light featuring a guy beaning another
man on the head with a rock at close range was the
top rated ad in several published polls and critical
assessments, as was the Blockbuster ad in which an
animated rabbit and guinea pig repeatedly stepped
on a mouse that squealed in obvious discomfort. Another
hit in the polls, a Dorito's ad, produced by consumers
not blood-and-guts agency creatives, had a guy getting
in a car accident and a women getting hit by a car
to illustrate the sound adjectives that characterize
the chip. If rock-beaning wasn't enough, Bud Light
had people slapping each other in the face and Fedex
had a guy get knocked into free-falling space orbit
only to be crushed by a fiery passing comet seconds
later. Again, these spots were also some of the most
liked ads in the day-after polls.
- We
have a dim view of our institutions and fellow man.
The workplacethanks to Careerbuilder.comis
characterized by dreary, scary "Gladiator"
style hand-to-hand combat and a jungle where extreme
torture and poison darts are commonplace. Celebrations
of marriage are annoying and to be gotten through
as quickly as possible (so we can drink Bud Light).
Banks are robbing us and our brokers are screwing
us. Hospital workers callously ignore us as we lay
on our deathbed and, more importantly, steal our soda.
Marketing is all about wet t-shirt contests. Robots
are throwing themselves off bridges. Even cute animals
are no-good schemersa stray dog sneaks his way
into the arms of a beauty queen under false pretenses,
gorillas plot to steal Bud Light, and lions joke about
the (literal) taste of humans.
For
goodness sakes, the only warm and fuzzy characters
were computer-generated! Coke's video game do-gooder
gave "a little love" to everyone he encountered
and the cute cartoon characters inside the Coke vending
machine seemed happy and pleasant enough. But generally
the ads painted a pretty bleak picture of humankind.
- It's
OK to talk about food and drink, hair and sex in the
same sentence. Nothing says
chocolatey Snickers goodness like a fist full of chest
hair. Implied sexual activity in a grocery store makes
us want to rip open a bag of Doritos. Boy, that beard
comb-over and way-too-short cut-offs on a practically
translucent actor makes us thirsty for a Sierra Mist
Free.
We're
not sure who missed out more by not advertising during
the Super BowlProzac or Pepto-Bismol. We sure
could have popped a couple of both after watching this
generally depressing and thoroughly unappetizing lot.
With
some exceptions, the main objective of most of the 60
national ads seemed to be brand awarenessjust
get our name out there. Never mind if the brand name
is bandied about with the plot line of the commercial
and not a selling message, as long as people are talking
about us. Businessweek marketing editor Burt
Helm's recent quip, "...Will our children someday
ask us about the days when traditional ads weren't just
designed to get people talking, but to actually try
to sell you something?" never seemed more appropriate.
Of
course, for some of the smaller brands that advertised
during the Super Bowl, straight brand awareness may
be enough to justify the $2.6 million media spend and
whatever hundreds of thousands, or conceivably millions,
were spent on producing a spot and pre-promoting it.
For big advertisers such as Budweiser and GM, however,
brand awareness is not the reason growing sales and
profits have been such challenges for these companies.
Ask most people to name a beer company and a big car
company and we'd put money on "Budweiser"
and "GM" coming out of their mouths first.
The message these brands and many others need to deliver
is not, "hey, we're here!" but, "hey,
you've got to buy us because (insert reason here)."
It
was really a stretch to find even a handful of commercials
that delivered a clear, unique reason to buy message
and delivered it in a creative way that wasn't so distracting
it overshadowed the message. None of the Budweiser spots
seemed to offer much in the clear RTB department, for
instance. And GM's "obsessed with quality"
isn't exactly unique. In the case of GM, having a robot
get laid-off when the firm has cut the jobs of thousands
of workers made us so uncomfortable we missed the quality
message with info about the warranty delivered in a
brief voice over at the end anyway.
According
to a Harris Interactive survey, more than half of U.S.
adults who watch the Super Bowl do so as much or more
for the commercials as for the game itself. But given
that companies are already spending significantly to
pre-promote their Super Bowl adsessentially advertising
their advertisingjust to get people to pay attention
to them, it's becoming increasingly debatable if this
attention to commercials during the game isn't a completely
contrived situation. Given the fare companies seem content
to go with year after year, we wonder, as Slate magazine
reporter Seth Stevenson did, if soon "we may have
to drop all this Super Bowl advertising hoopla. The
ads have been roundly mediocre for a few years running
now. Some huge advertisersinclude P&G and
Unileverdecided to ditch this Super Bowl entirely...are
we seeing the end of an era? And will we even miss it?"
And
the Winners Are.....
In
our informal, unscientific poll around the water cooler
at Copernicus, a few spots really stood out.
The
ad that wasn't: Honda CR-V
Researchers at the University of California Los Angeles
used functional magnetic resonance machines to scan
the brains of five men and five women as they viewed
the Super Bowl ads. According to the scans the brains
of the test subjects showed more reaction to a blank
black screen than the spot purportedly advertising the
Honda CR-V.
The
ad that should never have been: GoDaddy.com
Weeks after winning the GoDaddy account, Shine Advertising
resigned the account and, as reported in Advertising
Age, "renounced responsibility for the GoDaddy
work that will appear during the Super Bowl." We
were personally offended by the portrayal of the marketing
department in this spot where employees are shown spritzing
a well-endowed woman in a white t-shirt with what looks
like champagne. What do you say, fellow marketers, is
a boycott in order?
Biggest
head-scratchers: Izod, Bud Select and Schick
It was a three-way tie between Izod, Bud Select, and
Schick for airing the most perplexing advertising. Izod,
a venerable fashion brand best known for their green
alligator label, selected a spot that consisted of a
quick montage of images of an athletic-looking male
and female model in winter and summer clothes with edgy
music. What was that about? Bud Select went with Jay-Z
and Don Shulahuh?playing some sort of digital
football game under the tagline "expect everything."
Say again? And Schick had two guys in lab coats running
some sort of experiment in a gym. A guy walks over to
a treadmill, the woman next to him falls off hers. Flash
to one of the lab coat guys who says something unintelligible.
We replayed this commercial a dozen times and still
cannot make out what he is saying. It remains a complete
mystery.
Strangest
Bedfellows: HP and OC Choppers
We had no idea what this ad was about when we saw it
on TV. When we saw the title the firm had given to the
ad the next day in the USAToday poll, "OC
Choppers," it made a bit more sense. The voiceover
in the ad we then recognized was the voice of one of
the hosts of the TLC cable show, "American Chopper."
We've not watched the show, but we learned via the web
that Orange County Choppers is the company featured
in the show. The connection between the motorcycle guys
and HP, however, still has us guessing.
Biggest
Lump in Our Throat: Coke
The nod of the head to the two Black coaches leading
the Super Bowl teams made us feel warmly about the brand.
Clearest
Reason to Buy Message: Snapple Green Tea
EGCG, read about it on the back of the bottle.
The
Whole PackageClever and Compelling: Sprint
"Connectile Dysfunction"now that's funny.
Largest and fastest networknow that sounds like
a selling message.
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